Anna K.E. was born in 1986 in Tbilisi, Georgia. Selected solo shows include: REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation…, curated by Margot Norton, Georgian Pavilion at the Venice Biennale (2019); Queens Museum, New York, USA (2017-2018); Simone Subal Gallery, New York, USA (2018)(2015)(2013); Primary, Nottingham, UK (2017); Sommer Gallery, Tel Aviv (2016); Galerie Barbara Thumm, Berlin, Germany (2015)(2013); Mannheimer Kunstverein, Mannheim, Germany (2012); Gallery Figge von Rosen, Cologne (2013) (2011); Kunstverein Leverkusen, Leverkusen, Germany (2011); Pilot Projekt, Düsseldorf (with Tamara K.E.) (2008); Schaufenster des Kunstvereins für die Rheinlande und Westphalen, Düsseldorf (2007). Selected group shows: Zentrum für Kunst und Medien, Karlsruhe, Karlsruhe, Germany (2017); G2 Kunsthalle, Leipzig, Germany (2016); The Kitchen, New York, NY (2015); Museum of Contemporary Art, Santa Barbara, CA (2015); Kunstverein Wiesen e.V. Wiesen, Germany (2015); Kunst Raum Riehen, Switzerland (2015); KAI10, Quadriennale Düsseldorf, Germany(2014); Petach Tikva Museum of Art, Israel (2014); The Renaissance Society, Chicago, IL, USA; The III Moscow International Biennale for Young Art, Moscow, Russia (2012); Kunsthalle Recklinghausen, Germany (2011); Gallery Barbara Thumm, Berlin, Germany (2010); Museum K21, Düsseldorf (2010); Young Biennale Köln 2010, Cologne (2010); Cobra Museum, Amsterdam, The Netherlands (2009); Kunstverein Ludwigshafen, Germany (2009); Neues Kunstforum Köln, Cologne, Germany (2009); Stadtgalerie Saarbrücken, Germany (2008); Gloriahalle, Düsseldorf, Germany (2008); Museum am Ostwall, Dortmund, Germany (2005); Museum Kunst Palast, Düsseldorf , Germany (2005); Kunstverein Mönchengladbach, Germany (2005); and Museum Bochum, Germany (2004). In 2012 Hatje Cantz published Anna K.E.’s first monograph entitled A well-to-do man is cruising in his fancy car when a small hen runs out on the road in front. Anna represented Georgia in the 2019 Venice Biennale.